One of the biggest influences on Outlander's much-anticipated wedding-night
episode was an actual marriage: the one between showrunner Ronald D. Moore and
the Starz drama's costume designer Terry Dresbach. Not only is their real-life
romance echoed in some of the dialogue, but the structure of the episode was
determined in part at Dresbach's suggestion. "I do have a little sway with my
husband," she said in a recent interview with Vulture.
Dresbach said that she made a few suggestions to her husband "probably when
we were sitting in bed" as he started mapping out the episode. "We could start
talking at 10 at night," she recalled, "and then by 1 a.m., the lights are out
and we might still be arguing, with one of us going, 'No, Jack Randall wouldn't
do that!'" For this particular episode, their argument centered on how much
non-wedding plot to pack in, because Moore’s thought had been to mix in a few
other stories. "So I said, 'No, the wedding night has to be a full episode and
nothing else! It can't be Jack Randall and the wedding. It has to be just the
wedding,''" Dresbach said.
Her suggestion paralleled how the wedding night plays out in the source
material. "In the book, you're with Jamie and Claire throughout this whole night
of encounters and conversation and hesitation and everything in between," said
author Diana Gabaldon. But Moore knew that depicting it that way wouldn't work
on TV. "It's a just a long, long night," Moore said. "In the book, it's fairly
linear, and it's a lot of storytelling, a lot of getting-to-know-you, with first
sex, second sex, third sex, all of that. But it's a very long, long night until
the morning. The show would become a very long night stuck in that room." And
Gabaldon agreed with him. "To do that in a visual context would be rather
monotonous," she said.
So, Moore and writer Anne Kenney set about trying to find the right balance
for the episode that leaned heavily on the wedding night but also advanced other
elements of the plot. They settled on tackling it with a non-linear structure,
so that soon after the show opened, the wedding was over and the bride and groom
were already in the wedding chamber. "The audience would go, 'Oh, shit! We
missed it!'" Moore explained. "Fans of the book would be going, 'What?!'" And
from there, they came up with the idea of flashbacks to both provide
anticipation of the wedding itself as well, and to break up the wedding chamber
scenes, "so you didn't feel too claustrophobic being in the room forever with
the two characters just talking and having sex," Moore said.
"The structure of that was just brilliant," said Gabaldon of the flashback
interpolations placed between the couple's conversations and sex interludes,
including the stories of the dress and the ring and the wedding itself. "Jamie
asks Claire, 'Do you actually remember your own wedding day?' because she's so
hung-over!" Gabaldon laughed. With the flashbacks thus placed, Moore was able to
"let the sex develop naturally," he said. "I had a way to break some of the
tension, let the air out of it, get outside the room, and come back."
Dresbach estimated it would have taken one person 3,000 hours to make
Claire's wedding dress, because the embroidery of the metal strips had to be
done by hand. As it was, the dress took her team three or four months to
complete, from concept to finish. One hiccup was having to re-design the dress
after they locked down the filming location, because Dresbach wanted the dress
to contrast with the heavy dark wood and masculine environment of the room. "You
also want to feel like if you blew hard enough, the clothes would float off of
her," she said. "You want to reach out and touch her, and feel the suspense of
not touching. And then off it goes."
But Moore also wanted to prolong Claire's disrobing, so that more
anticipation would build up to her first sexual encounter with Jamie. "The first
time he touches her breast, that's a moment," said Moore. "Her touching his ass,
that's a moment. The first time means something." And it was important that her
dress stay on as long as possible for higher-minded reasons as well. "Ron and I
watch so much TV where it's just another half-naked woman, just another pair of
breasts, and it becomes furniture," Dresbach said. "The sensuality is lost. But
this was romantic and sexy."
Well, except for the very first sexual encounter maybe. "It's just, 'Hey,
let's just get it over with,'" laughed Moore. "It's sort of abrupt, with that Oh
my god, was that it? quality to it." The brevity, of couse, had to reflect that
their marriage came about for legal reasons; it also served to remind us that
Jamie was a virgin. "He's never been with a woman to this extent," actor Sam
Heughan said. "She's a more experienced woman, who is very strong and knows what
she wants, and he's a young virgin. So the first time, of course, is going to be
awesome."
While the scene marked the first time the characters had had sex with each
other, the actors who play Claire and Jamie had already done a love scene
together — a more intense scene that we won't see until episode nine
whenOutlander returns from hiatus. (This happened due to logistics regarding
sets and locations.) "It was great, because by the time we got to the wedding
night scenes in episode seven, Sam and I had become such good friends, and we'd
really sort of built this bond together, and that really helped," Caitriona
Balfe told Vulture.
What probably didn't help, however, was how hot the room was. "It was like a
sauna in there!" laughed Balfe. "Once you have all the lights going, it just
heats up, and it's quite unbearable." Even when they weren't wearing a ton of
clothing, or when all Heughan had on was his modesty pouch. "I think I lost it
at one point in the urinal," he recalled. "It was not my proudest moment, to
have to tell everyone that. But I did find another one!"
Moore decided not to have full frontal nudity in the episode, but that
doesn't mean there won't be in other love scenes between the newlyweds. "It
didn't feel like it was what the wedding night was about, so no full monty
shot," he said. "It's more about moving to an emotional place. As they keep
talking, something else starts to develop, like a more real sexual thing for the
second encounter, and by the end, clearly, she's falling for him."
Still, Claire struggles to give in to her feelings for Jamie completely,
because she feels like she's betraying her husband Frank. "It's a very
complicated moment, because she's being forced to marry Jamie against her will,"
Balfe said. Consequently, the first time they have sex, she feels guilty. The
second time, she's more relaxed. "And by the third time, they've really sort of
pledged themselves to each other," she said. "You see how their relationship
developed over the space of one night, how they allowed themselves to fall in
love."
"It's the heart of the show, what happens on the wedding night," Moore said.
"I think couples will enjoy it, because it's neither a male fantasy of a sex
scene, nor is it a gauzy boudoir bodice ripper. It feels kind of true. It feels
like, 'This is how it is.'"
One moment that made Dresbach tear up comes when Jamie describes seeing
Claire at the wedding ceremony. He says that when he saw her for the first time,
it was if he had stepped outside on a cloudy day, and suddenly the sun had come
out. "It's so beautiful," she said, "and it's the very first thing Ron had ever
said to me, outside of 'What costume are you doing next?' This was back when we
were working together on CarnivĂ le. And when I saw it in the show, it was all
over for me. I cried, it was so romantic. It was a tribute to us."